A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
2018
2013
1966
2005
1993
1989
1990
1967
2002
1997
2017
2014
1964
1957
1968
1992
1999
2003