A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
2017
1936
1980
2025
2014
1979
2003
1969
2013
1895
2024
2016
1977
1993
2020
1964
2005
1953