A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1990
2004
1962
1966
2010
1975
1922
1909
1953
2002
1910
2001
2003
1958
2017
2015