The dark side of nature.
An unprecedented series of violent tornadoes is sweeping across Oklahoma. Tornado chasers, headed by Dr. Jo Harding, attempt to release a groundbreaking device that will allow them to track them and create a more advanced warning system. They are joined by Jo's soon to be ex-husband Bill, a former tornado chaser himself, and his girlfriend Melissa.
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**_Bill Paxton and Helen Hunt chasing tornadoes on the prairie_** When atmospheric conditions are conducive to tornadoes, a weatherman (Paxton) tracks down his separated wife (Hunt) and inadvertently joins their storm-chasing team in the Midwest because he can’t resist seeing his sensor invention finally put to use. Jami Gertz plays his new love, Cary Elwes a pompous rival and Philip Seymour Hoffman a wild team member. “Twister” (1996) could be categorized as a disaster flick, but with the distinction that the protagonists are constantly chasing the potential disaster. The entire film takes place in the prairies or forests of the Midwest with ominous skies and intermittent destructive tornadoes. It’s called “Twister” and that’s what you get. The writers keep things interesting by adding human interest with the, admittedly contrived, love triangle and the rival storm-chasing team that has corporate sponsors (the horror, the horror). I didn’t mind the love story. When two people belong together, they belong together. Perhaps the fiancé will realize this. Speaking of which, I’m glad they didn’t make her (Gertz) out to be an unreasonable biyatch, like in “The Parent Trap.” At the end of the day, “Twister” gives you what you pay for. It’s not rocket science, but it’s entertaining and full of tornado-oriented thrills, which explains why it was a huge hit at the box office. The movie runs 1 hour, 53 minutes, and was shot in Oklahoma (Guthrie and Ponca City), Iowa (Boone and Ames) and Bolton, Ontario. GRADE: B
<em>'Twister'</em> makes for fun viewing. There's a good chance that this was one of the (if not <em>the</em>) first films that I ever watched, it was released a mere few months after my birth and I have a faint memory of watching it on video as a young kid, I remember my mum had taped it and it was recorded back-to-back with a random music concert that was also on TV at the time - I can still picture myself seeing it switch from the film to the music. With that said, if I did indeed watch it at that time and it wasn't just a memory of actually checking out the concert itself or perhaps someone else doing either/or, I don't recall anything about this movie - not one jot. I did know the general gist of the film though (hard not to, rather self-explanatory!) and that Bill Paxton was in it. The movie itself is entertaining, if naturally not perfect. The special effects have aged, for 1996, rather well, there's a couple of goofy looking moments but again, for its time it's more than adequate. The score is pleasant too. I didn't overly like the lover's quarrel, in fact it kinda annoyed me in parts; Melissa is written weakly, there's kinda no need for Jami Gertz's character to even exist given what (predictably) happens. Helen Hunt puts in a strong showing, probably the standout of the near two hours. Paxton, of course, runs her close in that regard too. Lois Smith and Philip Seymour Hoffman are the ones who stick out most away from Hunt and Paxton. Cary Elwes features too, albeit quite forgettably. Eager to see what they do for this year's standalone sequel with Glen Powell & Co. Based on snippets of the trailer I've seen, I reckon it'll be just as good - if not slightly better - as this original. Time will tell.
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