The Lost World: Jurassic Park

Actually where you're going is the only place in the world where the geese chase you! The Lost World: Jurassic Park is directed by Steven Spielberg and adapted to screenplay by David Koepp from the novel written by Michael Crichton. It stars Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn, Richard Schiff, Peter Stormare, Vanessa Lee Chester, Arliss Howard and Harvey Jason. Music is scored by John Williams and cinematography by Janusz Kamiński. Four years on from the horrors of Jurassic Park on Isla Nublar, it transpires that there is a second dinosaur site on Isla Sornar. Dr. Ian Malcolm (Goldblum) is forced to head off to face the horrors once again when he learns that his paleontologist girlfriend, Sara Harding (Moore), is already on the island as a forerunner to a team John Hammond (Richard Attenborough) is assembling to document the dinosaurs in their habitat. Once there, though, the problems soon arise, especially when a team from InGen arrive with other ideas about the dinosaurs on their minds. Given the massive success of Jurassic Park in 1993, a sequel was inevitable. What transpires is pretty much more of the same, it's very safe film making by Spielberg. Coming off of the emotional exertions of his last film, Schindler's List, few can deny that the director was entitled to wind down with The Lost World project, there was after all nothing safe about Schindler's, but although Jurassic 2 is a hugely enjoyable family blockbuster, a jazzy bit of hi-tech fun, it lacks the requisite brains to make it an inspiring sequel. Formula follows the same path, humans in peril on the island, with some added and new dinosaurs (double T-Rex a bonus), and then the "twist" in the narrative sees some monster peril come to San Diego, King Kong style, for the finale. There's inter fighting between the good dudes led by Malcolm and the bad guys led by the weasel Peter Ludlow (Howard) who is Hammond's conniving nephew and current head of InGen. Family issues also feature, of course since this is Spielberg after all, while the dangers of tampering with science message remains as strong as ever. Cast are ably led by a witty Goldblum, who is a reassuring presence carried over from the first film, and the tech-credits are as expected, very high. Some scenes soar, such as a sequence shot from under a pane of glass that starts to crack under the weight of a character, others not so, such as having Malcolm's teenage daughter turn into Nadia Comăneci for one credulity stretching scene. But all told it's an honest blockbuster purely aimed at the target audience who helped to see it make over $600 million in profit. Safe often pays you see, and as sequels go it's one of the better ones in the 90s. It's exciting if intellectually stunted. 7/10