To live would be an awfully big adventure.
The boy who wasn't supposed to grow up—Peter Pan—does just that, becoming a soulless corporate lawyer whose workaholism could cost him his wife and kids. During his trip to see Granny Wendy in London, the vengeful Capt. Hook kidnaps Peter's kids and forces Peter to return to Neverland.
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What if Peter Pan grew up and forgot who he was? What if he returned to Neverland? RELEASED IN 1991 and directed by Steven Spielberg, "Hook" stars Robin Williams as a corporate American Lawyer who must go to the island of Neverland after his two kids are kidnapped in London by Captain Hook (Dustin Hoffman). He has misadventures with the fairy Tinkerbell (Julia Roberts), pirates and a group of ragtag lost boys led by Rufio (Dante Basco); meanwhile hook tries to win the affections of his kids. Maggie Smith and Gwyneth Paltrow are on hand as older and younger versions of Wendy respectively. This is a family-oriented adventure/fantasy/comedy cut from the same cloth as "The Wizard of Oz" (1939), "Chitty Chitty Bang Bang" (1968), "Willy Wonka & the Chocolate Factory" (1971), "A Series of Unfortunate Events" (2004) and "Into the Woods" (2014); it’s just not a musical like some of those flicks even though a song or two are featured. Depending on your tastes, “Hook” is no better or worse than any of these movies (although “The Wizard of Oz” is in a league of its own, of course). While I love serious swashbuckling, Peter Pan was always too kiddie/fantasy-based for my tastes. This is ironic since I have Peter Pan Syndrome, which Spielberg also admitted to; and my wife has The Wendy Dilemma (look ’em up). Fans of Peter Pan will favor this flick more than me. Nevertheless, it was made by scores of talented people and contains some genuinely amusing moments (I busted out laughing at least four times). Hoffman’s titular character is iconic. And Roberts works surprisingly well as Tinkerbell, but they should’ve accented her beauty further. Speaking of which, the film needs more feminine sex appeal. Even the makers of “Chitty Chitty Bang Bang” knew enough to include a little bit. Both Spielberg and Williams liked the two bookend sequences, but have reservations about the long Neverland middle-piece, which is the bulk of the picture. Williams admitted he felt lost in Neverland, probably because he was thrust from one misadventure to another so briskly. But the pre-CGI sets are colorful and imaginative; it’s a fun movie with a lot of energy. Peter Pan just ain’t my thang. THE MOVIE RUNS 2 hour, 22 minutes (overlong). WRITERS: James V. Hart, Nick Castle and Malia Scotch Marmo wrote the script based on concepts from the works of J.M. Barrie, particular “Peter and Wendy” (1911). BOX OFFICE: The movie cost $70 million (not including marketing) and made $301 million worldwide with $120 million of that domestically. While it was the fourth highest-grossing movie worldwide in 1991, it was still considered a disappointment by producers, the greedy bastages. GRADE: B-/C+
There will never be a better Peter Pan movie ever. This movie is so old but every time I watch it, I love it.
Ok, so it's not the original 1953 Disney classic, but it is still a great fun adventure that, surely, brings out the kid in all of us. "Peter Banning" is an hot shot businessman who rather carelessly neglects his family. When he heads to London from the USA with them to meet with "Granny Wendy" (Dame Maggie Smith) we learn that he was adopted, but only after being discovered by the old lady who looked after a great many orphans - not least his wife "Moira" (Caroline Goodall). It's only when his two children are mysteriously kidnapped from their nursery late one snowy evening, he begins to remember his life before his adoption - and with the help of some magic and sparkle from "Tink" (Julia Roberts) is soon back in "Never Never Land" facing his arch-nemesis "Capt. Hook" (Dustin Hoffman) in a battle royal to reclaim his children. Still sceptical about the whole thing - he must learn to believe, to hope and to feel joy again before he has any hope of convincing the "Lost Boys" to assist in his dangerous quest. It's great fun, this film. Hoffman is super as the hook-toting' sophisticate-cum-baddie, and even the kids are not too annoying. Indeed, they have some cracking food fights and there is loads of acrobatics and mischief too. I wasn't mad about the concept of "the Pan" - that seemed just a little too oppressive, menacing - sterile even given the whole purpose of Sir J. M. Barrie's book is to remind us about what is important life - people, loyalty, love - and most of all - fun!! Yes, it is a bit lengthy. It takes far too long to get going, but once it does it is well worth a chortle as the script offers humour for all ages and the score, well that is instantly recognisable from John Williams. I'm a great fan of this story, and if this goes half way to perpetuating the delightful sentiment (and partially funding London's Great Ormond Street Hospital) then that can only be for the better. Second star to the right and keep on til morning...
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